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Following the zenith of *Resident Evil*, Anderson continued to build his empire. He founded the production company Impact Pictures, which has been the engine behind his films for decades. He returned to the sci-fi genre with *Alien vs. Predator* (2004) and its sequel *Aliens vs. Predator: Requiem* (2007), two films that, while critically panned, were significant financial successes. These films further demonstrated his ability to mine established intellectual properties for profit, a skill that is arguably his greatest asset in the modern film industry. His work on the big-screen adaptation of *DOA: Dead or Alive* (2006) and the disaster film *The 33* (2015) showed his range, even if the results were uneven. He also dipped his toes into the realm of television with the series *The Last Sentinel*, though its impact was minimal compared to his film work.
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