The materiality of Sandra Hochman's work is a critical component of its power. She is a master of her medium, whether she is layering paint, embedding found objects, or working with more unconventional materials that carry their own histories and textures. Her use of mixed media is never merely decorative; it is a deliberate strategy to build depth, both physically and conceptually. The surface of her pieces often reveals a meticulous process, with glazes, scratches, and accretions speaking to a patient, almost meditative act of creation. This textural complexity mirrors the complexity of the themes she addresses—the layers of experience, the grime and gloss of memory, the smooth and the rough edges of existence. By making the process visible, Hochman connects the viewer directly to the labor of art-making, fostering a sense of intimacy and authenticity that is increasingly rare in a digital age. The objects she incorporates are not random; they are charged with meaning, serving as relics or symbols that anchor her abstract explorations in the concrete world.
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Sarah Winchester, the widow of firearm magnate William Wirt Winchester, found herself in possession of an immense fortune following the deaths of her husband and infant daughter in the early 1880s. At the time, the Winchester family owned the patent for the iconic Winchester repeating rifle, which generated substantial revenue through royalties and sales. Sarah’s net worth was estimated to be around $20 million to $30 million during the peak of her wealth. In the context of the late 19th century, this was an astronomical sum, placing her among the richest women in the United States. While the exact figure of her net worth is debated due to a lack of modern accounting transparency, financial historians generally agree her liquid assets were substantial enough to fund a decades-long construction project without financial strain.
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