For the better part of the late 1980s and 1990s, Sedgwick existed in a curious limbo. She was recognized—often for her beauty and her role in “The Doors”—but she was not quite defined. She took on roles that allowed her to experiment, such as the troubled daughter in the television film “The Kennedys of Massachusetts” and the fiercely loyal friend in the indie darling “Love & Sex.” Yet, it was a series of choices, some questionable and some brilliant, that began to shape her into a serious dramatic force. She appeared in the science-fiction thriller “The Day After Tomorrow,” a film that was critically panned but commercially successful, proving her ability to navigate big-budget spectacles. However, it was her turn as Madeline Westen in the USA Network series “Burn Notice,” which premiered in 2007, that truly altered her trajectory.
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