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As Alexandra transitioned into adulthood, she made a decisive break from the insular world of elite society by pursuing a career in acting. Moving to New York City, she immersed herself in the burgeoning cultural scene of the late 1960s and early 1970s. Her entry into the film industry was marked by a series of roles in the groundbreaking horror and exploitation films that defined the era. She is perhaps best known for her chilling performance as the mistress of a vampire in the 1970 cult classic *Count Yorga, Vampire*. This role, while Typecast in the horror genre, showcased a screen presence that was both enigmatic and menacing, a stark contrast to the demure heiress her lineage might have suggested. She followed this with a role in the exploitation film *The Divorcee* (1974), further establishing her willingness to take on complex and often provocative roles that explored the fringes of female sexuality and identity.
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