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Baker was not always the celebrated artist we remember; he was a soldier in the United States Army, serving in West Germany in the early 1970s. It was during this time, away from the restrictive gaze of American society, that he began to experiment with stitching and designing. He taught himself to sew, and the act became a form of radical self-expression. Upon his return to the United States, specifically San Francisco, he immersed himself in the burgeoning gay rights movement and the counter-culture art scene. He was a seamster for the legendary drag queen and performance artist Sylvester, and he began creating banners and floats for gay pride events. This period was not one of wealth accumulation but of creative ignition. He was working within a community that was marginalized and often impoverished, where value was placed on authenticity and visibility rather than material gain. His early financial reality was likely one of modest means, living within the communal structures that were common among the activists and artists of the time.
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