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However, the rigid moral censorship of the Hays Code soon clashed with her provocative persona. Her next film, "I'm No Angel" (1933), was an even greater financial success, but it drew the ire of censors who feared her influence on public morality. This led to a significant shift in her career. The overtly sexualized roles she was known for were largely replaced by more sanitized, though still vibrant, characters in films like "Belle of the Nineties" (1934) and "Every Day's a Holiday" (1938). While these films were successful, they hinted at the constraints she was navigating. The lucrative golden handcuffs of Hollywood were beginning to feel restrictive. Consequently, West made a pragmatic decision to step away from the film industry in the mid-1940s, a move that allowed her to protect her image and explore other avenues of her creative genius. This hiatus from cinema, while professionally limiting in the short term, ultimately preserved her legacy as a revolutionary figure who refused to be tamed by the industry.
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